• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / POLITICAL SALSA Y MAS with SAL BALDENEGRO 9.19.18 “HISTORY IS NOT A SPECTATOR SPORT…”

POLITICAL SALSA Y MAS with SAL BALDENEGRO 9.19.18 “HISTORY IS NOT A SPECTATOR SPORT…”

September 19, 2018 by Tia Tenopia

History is not a spectator sport…

I taught Chicano history at the University of Arizona.

I taught Chicano history at the University of Arizona, and to make the material more relevant, whenever I could I gave a Tucson perspective to historical dynamics. Fortunately, I had much to work with, for Tucson has been a key player in the realm of Mexican American/Chicano history. Many of my students indicated in their course evaluations that these Tucson connections made history more meaningful to them and made them proud. Here’s a sampling of some of the Tucson-based dynamics I discussed in my classes.

Las mutualistas…

Mutual-aid societies (mutualistas) are an important phenomenon in the history of our community. Mutualistas came about in reaction to nativist groups that sought to keep “foreigners” (which Mexican American s weren’t) and Catholics (which many Mexican Americans were) from being elected to office and from obtaining certain jobs. A common misperception about mutualistas is that they only sold burial insurance to immigrants. To be sure, they did sell such insurance, but they also promoted and engaged in meaningful social and political activism. The first Mexican American mutualista in the country, La Alianza Hispano-Americana, was founded in Tucson in 1894. Soon, mutualistas sprouted all over the Southwest and beyond.

Besides selling burial insurance, early mutualista societies engaged in political activism.

As a result of the activism of La Alianza, the Mexican American community was very much a part of the political dynamics of Tucson politics in Territorial days. For example, several Mexican Americans served on the City Council and one as Mayor, and several Mexican American state legislators were elected during that period.

We founded public education…

This activism paved the way for some enormous and far-reaching achievements. One of these was establishing public education in Arizona. Local Mexican American business leaders donated land for a public school to be established in Tucson and funded the building of what would be the first public school in the area. This laid the foundation of Arizona’s public-education system.

Another was locating the state’s flagship university in Tucson. Mexican American legislators from Tucson cast the deciding votes that established the University of Arizona in Tucson. The state capital at that time was Prescott, and legislators from the Phoenix area wanted to move it to Phoenix. In exchange for supporting that notion, the Tucson legislators insisted that the state’s university be located in Tucson. [It’s said that bar owners and merchants who sold liquor objected to the university’s coming to Tucson on the basis that professors didn’t drink very much and therefore a university would not be good for their businesses.]

Bilingual education and the National Council of La Raza…

Tucson labor and civil-rights activist Maclovio Barraza conceptualized the Southwest Council of La Raza which morphed into the National Council of La Raza.

Also rooted in Tucson is Title VII of the Elementary and Secondary Education Act, the “Bilingual Education Act,” which gave language-minority children equal access to educational opportunity. Tucson educators Adalberto Guerrero, Enrique Oyama and others brought the issue of bilingual education to the country’s attention in the 1960s. In 1967, Guerrero testified on the issue of bilingual education before Congress. This led to subsequent congressional hearings in Tucson, which resulted in the 1968 passage of the landmark Title VII, a historic piece of legislation that for the first time recognized the validity and value of bilingualism and also legitimated the need for supportive educational programs for students of limited English-speaking abilities.

In 1969 Tucson labor and civil-rights activist Maclovio Barraza conceptualized the Southwest Council of La Raza. He hosted many leaders from all over the country at a series of meetings in Tucson, selling the concept of the Southwest Council. When the council was established (having received a sizable grant from the Ford Foundation), Barraza became the founding president. Over time the Southwest Council evolved into the National Council of La Raza, which has been described as the most comprehensive Latino advocacy organization in the country. [The NCLR recently changed its name to UnidosUS.]

We also do Chicano literature…

Two of the most influential pieces of literature of the Chicano Movement era have Tucson connections. Octavio Romano’s seminal essay, “The Anthropology and Sociology of the Mexican Americans: The Distortion of Mexican American History,” was conceptualized, at least in part, at the University of Arizona in 1967, when Romano was a visiting professor. In those days, “Louie’s Lower Level” was a popular student hangout. Romano had coffee regularly with Chicano/a students at Louie’s. I was one of those students. Romano would explore his ideas with us, and much of what he discussed with us later would appear in his essay. His essay posits the notion that in order for Mexican American history to be truthfully and realistically portrayed, Mexican Americans needed to write about themselves.

“Pereginos de Aztlán” (Pilgrims of Aztlán), by University of Arizona professor Miguel Méndez (1974), chronicles the Mexican experience in the Southwest. “Pereginos” is considered a foundational piece of Chicano literature, a pillar of the genre. “Pereginos” interweaves several themes—border and working-class dynamics, Pachucos, Yaqui heritage—and is the basis for scores of Master’s theses and Ph.D dissertations throughout the country and abroad. Méndez really brought home Romano’s notion about Mexican Americans telling the Mexican American story.

Romano’s and Mendéz’s works inspired hundreds of young Chicanos and Chicanas to become writers and scholars who went on to generate accurate depictions of our community.

And don’t forget the Church…

P.A.D.R.E.S., a national organization of Mexican American priests advocating for the Mexican American community held its organizing Congress in 1970 in Tucson.

P.A.D.R.E.S. (Padres Asociados para los Derechos Religiosos, Educacionales y Sociales—Priests United for Religious, Educational and Social Rights), a national organization of Mexican American priests that advocated for the improvement of the social conditions of Mexican Americans held its national organizing Congress in 1970 in Tucson, where its platform of religious-based civil-rights activism was formulated. A Tucson-based group of priests, The Inner-City Apostolate, were heavily involved in forming P.A.D.R.E.S., which pledged and gave support to the Chicano civil-rights movement and was active on many fronts of the movement.

In 1971, at the P.A.D.R.E.S. national conference in Los Angeles, Fr. Alberto Carrillo, of Tucson’s Inner-City Apostolate, gave a speech that analyzed the Church within the framework of majority-minority relations. His analysis provided P.A.D.R.E.S. with an intellectual basis for their challenge of Church policy and for holding the Church to the same standards as secular organizations with regard to issues of social and political inclusion.

Indeed, for Tucson and its residents, history has not been a spectator sport. But what I describe here is true of many other Mexican American communities. It’s just that we are conditioned, I think, to believe that history occurs elsewhere, outside of ourselves, and therefore we do not look for it in our backyard. We should. We are surrounded by history and history makers. c/s

____________________________________________________________________

Copyright 2018 by Salomon Baldenegro. NCLR photo copyright by Barrio Dog Productions, photo of Octavio Romano and PADRES logo used under the “fair use” proviso of the copyright law. All other photos in the public domain. To contact Sal Baldenegro write: SalomonRB@msn.com

Filed Under: Blogs, Political Salsa y Más Tagged With: Political Salsa y Mas, Sal Baldenegro

RICARDO ROMO’S TEJANO REPORT 05.01.25 TONY ORTEGA’S ARTISTIC JOURNEY

May 1, 2025 By wpengine

Denver Latino Artist Tony Ortega’s Artistic Journey Tony Ortega, an eminent Denver artist, has been painting for over forty years and teaching art for two decades. His creative work has been in hundreds of exhibits and permanently collected by prominent museums including the Denver Art Museum, Los Angeles County Museum of Art, and the University […]

BURUNDANGA BORICUA DEL ZOCOTROCO 04.26.25

April 26, 2025 By wpengine

La Jungla de Pamela y Josué En la altura de la Cordillera Central de Puerto Rico por las crestas de Orocovis, en el barrio Pellejas Está la finca la Jungla que regentan Pamela y Josue.   Una pareja de agricultores empecinados en la más difícil de las tareas: hacer producir cinco cuerdas del terreno más […]

POLITICAL SALSA Y MÁS with SALOMON BALDENEGRO 04.17.25 FAKE VS. TRUE RIGHTEOUSNESS

April 17, 2025 By wpengine

Fake vs. true righteousness… Let us preach righteousness, and practice it.  Brigham Young, American religious leader and politician. Last month, in this space, I commented on the hypocrisy of Donald Trump and his cultists and apologists, including, to its everlasting shame, the Republican Party. Trump says he plans to establish a White House Faith Office, […]

RICARDO ROMO’S TEJANO REPORT 04.26.25

April 26, 2025 By wpengine

Latino Art Enhances the Beauty of Botanical Gardens. With the arrival of Spring, Latinos are drawn to parks as well as botanical spaces that include art. A recent visit to San Antonio Botanical Gardens demonstrated to me that art can make these visits a more engaging experience. The Botanical Garden is a stunning gem of […]

More Posts from this Category

New On Latinopia

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2025 latinopia.com · Pin It - Genesis - WordPress · Admin