• Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen

latinopia.com

Latino arts, history and culture

  • Home
    • Get the Podcasts
    • About
      • Contact Latinopia.com
      • Copyright Credits
      • Production Credits
      • Research Credits
      • Terms of Use
      • Teachers Guides
  • Art
    • LATINOPIA ART
    • INTERVIEWS
  • Film/TV
    • LATINOPIA CINEMA
    • LATINOPIA SHOWCASE
    • INTERVIEWS
    • FEATURES
  • Food
    • LATINOPIA FOOD
    • COOKING
    • RESTAURANTS
  • History
    • LATINOPIA EVENT
    • LATINOPIA HERO
    • TIMELINES
    • BIOGRAPHY
    • EVENT PROFILE
    • MOMENT IN TIME
    • DOCUMENTS
    • TEACHERS GUIDES
  • Lit
    • LATINOPIA WORD
    • LATINOPIA PLÁTICA
    • LATINOPIA BOOK REVIEW
    • PIONEER AMERICAN LATINA AUTHORS
    • INTERVIEWS
    • FEATURES
  • Music
    • LATINOPIA MUSIC
    • INTERVIEWS
    • FEATURES
  • Theater
    • LATINOPIA TEATRO
    • INTERVIEWS
  • Blogs
    • Angela’s Photo of the Week
    • Arnie & Porfi
    • Bravo Road with Don Felípe
    • Burundanga Boricua
    • Chicano Music Chronicles
    • Fierce Politics by Dr. Alvaro Huerta
    • Mirándolo Bien with Eduado Díaz
    • Political Salsa y Más
    • Mis Pensamientos
    • Latinopia Guest Blogs
    • Tales of Torres
    • Word Vision Harry Gamboa Jr.
    • Julio Medina Serendipity
    • ROMO DE TEJAS
    • Sara Ines Calderon
    • Ricky Luv Video
    • Zombie Mex Diaries
    • Tia Tenopia
  • Podcasts
    • Louie Perez’s Good Morning Aztlán
    • Mark Guerrero’s ELA Music Stories
    • Mark Guerrero’s Chicano Music Chronicles
      • Yoga Talk with Julie Carmen
You are here: Home / Blogs / THINKING LATINA with SARA INÉS CALDERÓN 10.08.12

THINKING LATINA with SARA INÉS CALDERÓN 10.08.12

October 8, 2012 by

IMMIGRATION IS MY MOST FAVORITE PART OF AMERICANA.

I’ve been obsessed with immigration as an issue for a long time. Back when I was in college, I used to bombard the Latino email list with stories about immigration, so much so that others complained and I was warned by the list admin about it. Of course this was before social media, and also before the “border wall” was constructed. Nonetheless, the issue of immigration was as important then as it is now.

Immigration is my favorite part of Americana. To me, immigration is an issue that is more American than either apple pie or baseball. Immigration is the lens through which we see ourselves, a way we can measure where we are in our evolution — even when it is ugly.

I’ve interviewed congressmen and activists and academics, and they all point to the same trend: when we talk about immigration these days, it’s really a cloak for talking about Latinos. Which is to say, all the anger and hatred about the masses destroying this country, means that my fellow Americans think me and my family are something akin to cockroaches.

Of course I differ. I think about the fact that most of the people I grew up with were the children of immigrants. I think about how much richness they added to my life, how much I learned from them, their parents, their grandparents, and I can’t help but focus on another viewpoint. I see the contributions of immigrants to this country — from way back before immigration laws existed — and think that those decrying immigrants’ presence here are the ones that are destroying this country.

Immigration is a foil for everything it means to be an American. It’s via this issue that we can get to the nut of who we are as a nation, and who we hope to become. I wish that immigration were discussed as such, I believe that if it were a more open topic, one that highlighted cultural and economic differences as opposed to just racial ones, we might take a step in that direction. Unfortunately, these days especially, we seem to be far from that.

Thus, my immigration obsession will not dissipate anytime soon. If, by some miracle, tomorrow, the hatred towards immigrants transitioned to either an open hatred of Latinos, or a cultural or economic discussion, perhaps I could focus my attentions elsewhere. If shouts turned to queries, if anger turned to understanding, if cloaks turned to truths, then I might feel inclined to give it up.

Until then, though, I’ll continue to bombard my social media accounts with immigration-related information, hoping that others might understand, and that I might understand as well.

Note: This blog was previously published in July of this year.

Filed Under: Blogs, Sara Ines Calderon

RICARDO ROMO’S TEJANO REPORT 1.30.26 ALEJANDRO DÍAZ AT RUIZ-HEALY ART GALLERY

January 29, 2026 By wpengine

Alejandro Díaz, A Latino Texan-New Yorker Exhibits at Ruiz-Healy Art Gallery. Texas native Alejandro Díaz developed an artistic practice over thirty-five years grounded in the bicultural and visual mix of South Texas and Mexico, with formative ties to Mexico City in the early 1990s. He is known for multi-media work: cardboard signs, neon, sculpture, furniture, […]

EL PROFE QUEZADA NOS DICE 1.30.26 NO PORK ON FRIDAYS – A DUAL CULTURAL LEGACY

January 29, 2026 By wpengine

The Rio Grande has long been more than a river dividing nations; it has been a meeting place of cultures, faiths, and hidden legacies.  Along its banks, towns in northern Mexico and South Texas became home to families who carried with them traditions that were not always spoken aloud.  Among these were crypto-Jews—descendants of Sephardic […]

EL PROFE QUEZADA NOS DICE 1.24.26 TWO MEXICAN FILM GREATS

January 24, 2026 By wpengine

During the 1940s and 1950s, two of the well-known Mexican actors of the Golden Age of Mexican cinema that I would see on the big screen at the Cine Azteca in the Barrio El Azteca were Arturo de Córdova and René Cardona.  The Cine Azteca was located at 311 Lincoln Street and was situated in the […]

RICARDO ROMO’S TEJANO REPORT 1.24.26 CHICANO AND MEXICAN ART AT MCNAY MUSEUM

January 24, 2026 By wpengine

The McNay Art Museum, founded in 1954 as Texas’s first modern art museum, occupies Marion Koogler McNay’s Spanish Colonial Revival mansion in San Antonio. The museum is situated on 24 landscaped acres, featuring courtyards, a fish pond, and a beautiful nature garden. The museum’s collection of over 20,000 artworks showcases 19th- and 20th-century European and […]

More Posts from this Category

New On Latinopia

LATINOPIA WORD JOSÉ MONTOYA “PACHUCO PORTFOLIO”

By Tia Tenopia on June 12, 2011

José Montoya is a renowned poet, artist and activist who has been in the forefront of the Chicano art movement. One of his most celebrated poems is titled “Pachuco Portfolio” which pays homage to the iconic and enduring character of El Pachuco, the 1940s  Mexican American youth who dressed in the stylish Zoot Suit.

Category: LATINOPIA WORD, Literature

LATINOPIA ART SONIA ROMERO 2

By Tia Tenopia on October 20, 2013

Sonia Romero is a graphic artist,muralist and print maker. In this second profile on Sonia and her work, Latinopia explores Sonia’s public murals, in particular the “Urban Oasis” mural at the MacArthur Park Metro Station in Los Angeles, California.

Category: Art, LATINOPIA ART

LATINOPIA WORD XOCHITL JULISA BERMEJO “OUR LADY OF THE WATER GALLONS”

By Tia Tenopia on May 26, 2013

Xochitl-Julisa Bermejo is a poet and teacher from Asuza, California. She volunteered with No More Deaths, a humanitarian organization providing water bottles in the Arizona desert where immigrants crossing from Mexico often die of exposure. She read her poem, “Our Lady of the Water Gallons” at a Mental Cocido (Mental Stew) gathering of Latino authors […]

Category: LATINOPIA WORD, Literature

© 2026 latinopia.com · Pin It - Genesis - WordPress · Admin