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You are here: Home / Art / ZARCO GUERRERO – IN HIS OWN WORDS

ZARCO GUERRERO – IN HIS OWN WORDS

March 6, 2010 by

ZARCO GUERRERO – ARIZONA ARTIST

Mask sculptor Zarco Guerrero

IN HIS OWN WORDS:

I think one of the big things that the Chicano Movement did for us was to relate us to the past. Our history that we knew nothing about, Our history we never learned in school. What the Chicano Movement did was bring that past to light and all of the sudden we realized we weren’t descendants of blood-thirsty savages. All of a sudden, we look back to our past and we saw people who are great leaders.

I think the Plan de Aztlán and the whole concept of Aztlán was fundamental to our way of thinking. It gave us a connection to the land, an ancient connection

El Plan de Aztlán

to the land and to the Indian peoples that are buried beneath us. We were no longer strangers. We weren’t “aliens.” This was, in fact, the land of our ancestors.

I went to Mexico to study muralism and sculpture. But in Mexico I saw the ancient Olmec masks in El Museo De Antropología. And at the same time that I was seeing masks in dance and ritual ceremonies throughout indigenous villages in Mexico. And the more I saw of the masks, the more I realized the power of the mask and this important tradition of ours as Mexicanos.

Artistic traditions, cultural traditions, that many artists had overlooked. I felt this was my place as a sculptor, to explore the mask because it was sculpture, painting, it incorporated music, dance, elements of mythology, spirituality, and story telling. It was an art form that was alive and breathing.

Zarco Guerrero Masks

This gave me a mandate as a sculptor. I was meant to use my indigenous heritage, those masks, to express my humanity from a standpoint of a Chicano and to express the universality of mankind. The mask for me, it was universal!

Filed Under: Art, INTERVIEWS

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At the risk of self-promotion criticism, I submit to what is usually my space, the text presented by my friend Jorge Escudero Franceschini in the premiere of the documentary La Tierra de Borikén. The reaction of a farmer in good faith. The reasons why I give up space are best explained in his writing: Seeing […]

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BURUNDANGA BORICUA DEL ZOCOTROCO 9.18.26

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Burundanga de Zocotroco José M. Umpierre A riesgo de crítica de auto promoción, someto a lo que suele ser mi espacio, el texto que presentó mi amigo Jorge Escudero Franceschini en el estreno del documental La Tierra de Borikén. La reacción de  un agricultor de buena fe. Las razones de porque cedo el espacio mejor […]

RICARDO ROMO’S TEJANO REPORT 9.11.26 DOCK SPACE GALLERY HOSTS FOTOSEPTIEMBRE EXHIBITION

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In its 32nd year, FotoSeptiembre is part of the Dock Space Gallery exhibitions in San Antonio’s Lone Star District. The opening reception for “Close to Home,” an exhibit of the work of thirteen San Antonio photographers, is Saturday, September 12, from 4- 9 p.m. Curated by Ricardo Romo, the photographers in the exhibit include Lead Artist Monica […]

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